A/Visions
An Immersive Theater
August 22 & 23 | Théâtre Maisonneuve in Place des Arts
A/Visions is a point of convergence between technology, performance, and visual poetry, presenting two exceptional evenings at Théâtre Maisonneuve.
At the heart of the series are sensory audiovisual works that fuse image, sound, and innovation.
Through technology, machinery, or artificial intelligence, the artists uncover the invisible and the intangible while offering glimpses of the extraordinary.
A/Visions 1
Friday, August 22, 2025, from 7pm to 10pm
A/Visions 1 presents three audiovisual performances that become a space of transformation, history, and collaboration between humans and machines. Each work goes beyond mere representation to offer a visual and sonic narrative, where the boundaries between memory, technology, and emotion blur.
Quayola IT
K-Phi-A FR/CA+KR/CA+JP
Abul Mogard & Grand River IT
Quayola in Focus
Quayola makes his North American debut with Luce, a monumental A/V performance where archival footage is reimagined through algorithmic painting. Blending generative art with collective memory, he offers a sensory reinterpretation of history—where digital abstraction reveals unexpected beauty.
A/Visions 2
Saturday, August 23, 2025, from 7pm to 10pm
A/Visions 2 is an invitation to experience digital poetry through three performances united by a shared sense of vibration. Blending electronic sculpture, acoustic instruments, and technological explorations, the event brings together projects that question our relationship with time.
Alexis Langevin-Tétrault CA/QC
Ash Fure US
Shackleton & Waclaw Zimpel ft. Siddhartha Belmannu UK+PL+IN
Shackleton & Wacław Zimpel ft. Siddhartha Belmannu in Focus
Shackleton, Wacław Zimpel, and Siddhartha Belmannu present a transcendent live performance where modular electronics, avant-folk clarinets, and Carnatic vocals converge. Eschewing traditional structure for immersive flow, this North American premiere offers a deeply moving reflection on beauty, mortality, and the human condition.
