Japanese artist, Ryoichi Kurokawa composes in sound and light, using analog and digitally generated materials to create time-bending audiovisual installations, video screenings, audio recordings and performances that melt multi-channel image and sound into one entity, existing in continual evolution.
Abstract multi-channel audiovisual inventions and sculptural hybrids that fuse and reshape nature, science and the human-made world, electrical signals rendered in analog and digital light and an ambient symphony of drone and static
subassemblies (2019), ad/ab Atom (2019), elementum (2018)
He was awarded the Golden Nica at Prix Ars Electronica in the Digital Music and Sound Art category in 2010, and in 2016 directed the Kinetic Media Lab/ACT at Gwangju's Asia Cultural Center
Montréal: 2006, 2012, 2013